Difference between revisions of "You Segment"
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− | < | + | {{band Chomolungmas Kleid}} |
+ | {{recording|http://uni-guehlen.de/Archiv/Musik/ugu-CC0/You_Segment.ogg|'''Gesang:''' [[user:Assurbanipal|Assurbanipal]]; '''Instrumente, Aufnahme:''' [[user:Sloyment|Sloyment]]}} | ||
+ | {{Video|http://uni-guehlen.de/Archiv/Videos/CC0/You_Segment.ogv|{{#ev:youtube|gvAQrlNTILw|640}} }} | ||
+ | <score midi="1"> | ||
\version "2.8.7" | \version "2.8.7" | ||
<< | << | ||
\chords | \chords | ||
{ \transpose c es { | { \transpose c es { | ||
− | + | s4 a1:m s e:m s g f c s | |
− | a1:m | + | a1:m s e:m s g f c s |
− | a:m | + | a:m s f c g f c s |
− | g1 | + | g1 s f c g s f c |
− | g1 | + | g1 s f c g f2 g2 c1 s |
} } | } } | ||
\relative | \relative | ||
Line 36: | Line 39: | ||
Sex be -- fore marri -- age, and I don't have it. | Sex be -- fore marri -- age, and I don't have it. | ||
We ask you not to be vio -- lent. | We ask you not to be vio -- lent. | ||
− | + | You should pre -- pare for Li -- sa | |
− | + | the best shit in a cup. | |
− | + | Speak now the la -- zy ver -- ses of ha -- zy | |
− | + | pink dun -- geons. Hur -- ry and don't stop. | |
This blows the co -- ver off the grass. | This blows the co -- ver off the grass. | ||
And Li -- sa, she is not like that. | And Li -- sa, she is not like that. | ||
− | + | ど よ く る! We ask you not to be vio -- lent. | |
You have to un -- der -- stand, we will not be -- lieve the rea -- son. | You have to un -- der -- stand, we will not be -- lieve the rea -- son. | ||
− | + | As the rea -- son for the dark -- ness | |
− | + | lies bey -- ond your place at this time. | |
− | + | And al -- though the bright -- est sun -- shine | |
would be no -- thing more than dar -- kest trea -- son. | would be no -- thing more than dar -- kest trea -- son. | ||
− | + | ど よ く る! The girl is mine. | |
} | } | ||
\addlyrics | \addlyrics | ||
{ \set stanza = #"2. " | { \set stanza = #"2. " | ||
− | + | %% Con -- ti -- nue to their coun -- try. | |
− | + | %% It's just the place for you. | |
− | + | %% Sex be -- fore mar -- riage, there you can have it. | |
− | + | %% It's like a dream co -- me true. __ \skip 2 | |
− | + | %% But wait un -- til De -- cem -- ber, | |
− | + | %% the Dark -- est must be heard. | |
− | + | %% What she said last time, I can't re -- mem -- ber. | |
− | + | %% The seg -- ment must be pre -- pa -- red. | |
− | + | %% You want to talk a -- bout it all | |
− | + | %% but now it's too late for __ \skip 4 that. | |
− | + | %% DO -- YU -- KU -- RU! You seg -- ment, stop be -- ing vio -- lent. | |
} | } | ||
>> | >> | ||
− | </ | + | </score> |
− | + | {| | |
+ | | | ||
'''1.''' | '''1.''' | ||
: This girl is not considered. | : This girl is not considered. | ||
Line 74: | Line 78: | ||
: Sex before marriage, and I don't have it. | : Sex before marriage, and I don't have it. | ||
: We ask you not to be violent. | : We ask you not to be violent. | ||
− | : | + | : You should prepare for Lisa |
− | : | + | : the best shit in a cup. |
− | : | + | : Speak now the lazy verses of hazy |
− | : .. | + | : pink dungeons. Hurry and don't stop. |
− | |||
− | |||
: This blows the cover off the grass. | : This blows the cover off the grass. | ||
: And Lisa, she is not like that. | : And Lisa, she is not like that. | ||
− | : | + | : どよくる! We ask you not to be violent. |
− | : | + | :: You have to understand, |
− | : You have to understand, we will not believe the reason. | + | :: we will not believe the reason. |
− | : | + | :: As the reason for the darkness |
− | : | + | :: lies beyond your place at this time. |
− | : | + | :: And although the brightest sunshine |
− | + | :: would be nothing more than darkest treason. | |
+ | :: どよくる! The girl is mine. | ||
+ | | | ||
'''2.''' | '''2.''' | ||
: Continue to their country. | : Continue to their country. | ||
Line 94: | Line 98: | ||
: Sex before marriage, there you can have it. | : Sex before marriage, there you can have it. | ||
: It's like a dream come true. | : It's like a dream come true. | ||
− | : | + | : But wait until December, |
− | : | + | : the Darkest must be heard. |
− | + | : What she said last time, I can't remember. | |
− | : | + | : The segment must be prepared. |
− | : | ||
− | |||
: You want to talk about it all | : You want to talk about it all | ||
− | : but now it's too late for that | + | : but now it's too late for that. |
− | : | + | : どよくる! You segment, stop being violent. |
− | : | + | :: You have to understand ''etc.'' |
− | : You have to understand '' | + | |} |
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− | + | '''Lyrics:''' [[user:Nightcrawler|Nightcrawler]] (upstream), [[user:Aphyx|Aphyx]] und [[user:Sloyment|Sloyment]], <br /> | |
+ | '''Composition:''' Sloyment | ||
− | + | '''Upstream version:''' [[Du Stück]] | |
− | |||
{{CC0}} | {{CC0}} | ||
+ | [[category:English language]] |
Latest revision as of 07:23, 2 August 2024
This work is part of a band’s repertoire, namely
Chomolungmas Kleid.
A recording of this work is available for download. Gesang: Assurbanipal; Instrumente, Aufnahme: Sloyment |
Music video available. |
1.
|
2.
|
Lyrics: Nightcrawler (upstream), Aphyx und Sloyment,
Composition: Sloyment
Upstream version: Du Stück
This work has been released into the Public Domain using the CC0 protocol. |