Difference between revisions of "You Segment"

From Free Music Wiki
Jump to: navigation, search
 
(37 intermediate revisions by 6 users not shown)
Line 1: Line 1:
−
<lilymidi>
+
{{band Chomolungmas Kleid}}
 +
{{recording|http://uni-guehlen.de/Archiv/Musik/ugu-CC0/You_Segment.ogg|'''Gesang:''' [[user:Assurbanipal|Assurbanipal]]; '''Instrumente, Aufnahme:''' [[user:Sloyment|Sloyment]]}}
 +
{{Video|http://uni-guehlen.de/Archiv/Videos/CC0/You_Segment.ogv|{{#ev:youtube|gvAQrlNTILw|640}} }}
 +
<score midi="1">
 
\version "2.8.7"
 
\version "2.8.7"
 
<<
 
<<
 
   \chords  
 
   \chords  
 
     { \transpose c es {
 
     { \transpose c es {
−
    %%  r4 a1:m r e:m r g f c r    
+
        s4 a1:m s e:m s g f c s    
−
    %%  a1:m r e:m r g f c r
+
        a1:m s e:m s g f c s
−
    %%  a:m r f c g f c r
+
        a:m s f c g f c s
−
         g1 r f c  g r f c   
+
         g1 s f c  g s f c   
−
         g1 r f c  g f2 g2 c1 r  
+
         g1 s f c  g f2 g2 c1 s  
 
     } }
 
     } }
 
   \relative
 
   \relative
 
     { \key es \major \time 4/4 \tempo 4=128
 
     { \key es \major \time 4/4 \tempo 4=128
−
    %%  \partial 4  
+
      \partial 4  
 
       \transpose c es {  
 
       \transpose c es {  
−
    %%  c'4  a a b8 c'4 e'8 ~ e'8 a2 r8 c'4 b b b8 c'4 b8 ~ b2 r
+
        c'4  a a b8 c'4 e'8 ~ e'8 a2 r8 c'4 b b b8 c'4 b8 ~ b2 r
−
    %%  b8 b b d'4 b4.  c'8 c' c' f'4 c' g8
+
        b8 b b d'4 b4.  c'8 c' c' f'4 c' g8
−
    %%  c'4 c' c'8 d' e' d' ~ d' c'2 r8 c'4
+
        c'4 c' c'8 d' e' d' ~ d' c'2 r8 c'4  
−
    %%  a a b8 c'4 e'8 ~ e'8 a2 r8 c'4 b b b8 c'4 b8 ~ b2 r
+
        a a b8 c'4 e'8 ~ e'8 a2 r8 c'4 b b b8 c'4 b8 ~ b2 r
−
    %%  b8 b b d'4 b4.  c'8 c' c' f'4 c' f'8
+
        b8 b b d'4 b4.  c'8 c' c' f'4 c' f'8
−
    %%  e' d' c'4 c'8 c' c' d' ~ d' c'2 r8 c'4
+
        e' (d') c'4 c'8 c' c' d' ~ d' c'2 r8 c'4
−
    %%  e'4. e'8 e'8 f'4 g'8 ~ g' f' e'4. r8 e'4 f'4. c'8 c'8 a f' e' ~ e' e'2 r8 d'8 e'
+
        e'4. e'8 e'8 f'4 g'8 ~ g' f' e'4. r8 e'4 f'4. c'8 c'8 a f' e' ~ e' e'2 r8 d'8 e'
−
    %%  d' c' b2 r8 b  c'4 a c'8 d' e' d' ~ d' c'2. r8  r2. e'8 f'
+
        d' (c') b2 r8 b  c'4 a c'8 d' e' d' ~ d' c'2. r8  r2. e'8 (f')
−
         g'4 g' g'8 a4 g'8 ~ g'4. r8 a4 g'4
+
         g'4 g' g'8 a'4 g'8 ~ g'4. r8 a'4 g'4
 
         f'4 f' f' g'8 f' ~ f' e'2 r8 e' f'
 
         f'4 f' f' g'8 f' ~ f' e'2 r8 e' f'
−
         g'4 g' g'8 g'4 a8 ~ a g'4 f' e'4.
+
         g'4 g' g'8 g'4 a'8 ~ a' g'4 f' e'4.
 
         f'4 c' c'8 d' f' e' ~ e'2 r8 e' f'4
 
         f'4 c' c'8 d' f' e' ~ e'2 r8 e' f'4
−
         g4 g g8 g4 a8 ~ a g4 a a8 a g
+
         g'4 g' g'8 g'4 a'8 ~ a' g'4 a' ais'8 a' g'
−
         f4 f g8 g4 f8 ~ f e2 r8 d e
+
         f'4 f' g'8 g'4 f'8 ~ f' e'2 r8 d' e'
−
         d e b4. r8 b4  c2 b c2. r4  r2.
+
         d' (c') b4. r8 b4  c'2 b c'2. r4  r2.
 
     } }
 
     } }
 
   \addlyrics  
 
   \addlyrics  
−
     {  
+
     { \set stanza = #"1. "
 +
      This girl is not con -- sid -- ered.
 +
      Look close -- ly, ve -- ry wild.
 +
      Sex be -- fore marri -- age, and I don't have it.
 +
      We ask you not to be vio -- lent.
 +
      You should pre -- pare for Li -- sa
 +
      the best shit in a cup.
 +
      Speak now the la -- zy ver -- ses of ha -- zy
 +
      pink dun -- geons. Hur -- ry and don't stop.
 +
      This blows the co -- ver off the grass.
 +
      And Li -- sa, she is not like that.
 +
      ど よ く る! We ask you not to be vio -- lent.
 +
      You have to un -- der -- stand, we will not be -- lieve the rea -- son.
 +
      As the rea -- son for the dark -- ness
 +
      lies bey -- ond your place at this time.
 +
      And al -- though the bright -- est sun -- shine
 +
      would be no -- thing more than dar -- kest trea -- son.
 +
      ど よ く る! The girl is mine.
 +
    }
 +
  \addlyrics
 +
    { \set stanza = #"2. "
 +
  %%    Con -- ti -- nue to their coun -- try.
 +
  %%    It's just the place for you.
 +
  %%    Sex be -- fore mar -- riage, there you can have it.
 +
  %%    It's like a dream co -- me true. __ \skip 2
 +
  %%    But wait un -- til De -- cem -- ber,
 +
  %%    the Dark -- est must be heard.
 +
  %%    What she said last time, I can't re -- mem -- ber.
 +
  %%    The seg -- ment must be pre -- pa -- red.
 +
  %%    You want to talk a -- bout it all
 +
  %%    but now it's too late for __ \skip 4 that.
 +
  %%    DO -- YU -- KU -- RU! You seg -- ment, stop be -- ing vio -- lent.
 
     }
 
     }
  
 
>>
 
>>
−
</lilymidi>
+
</score>
−
 
 
  
 +
{|
 +
|
 
'''1.'''
 
'''1.'''
−
: <sup>D</sup>This <sup>Bm</sup>girl is not considered.
+
: This girl is not considered.
−
: Look <sup>F#m</sup>closely, very wild.
+
: Look closely, very wild.
−
: <sup>A</sup>Sex before marriage, <sup>G</sup>and I don't have it.
+
: Sex before marriage, and I don't have it.
−
: We <sup>D</sup>ask you not to be violent.
+
: We ask you not to be violent.
−
:  
+
: You should prepare for Lisa
−
: ...
+
: the best shit in a cup.
−
: ...
+
: Speak now the lazy verses of hazy
−
: ...
+
: pink dungeons. Hurry and don't stop.
−
: We <sup>D</sup>ask you not to be violent.
+
: This blows the cover off the grass.  
−
:
+
: And Lisa, she is not like that.
−
: This <sup>Bm</sup>blows the cover off the grass.  
+
: どよくる! We ask you not to be violent.  
−
: And <sup>G</sup>Lisa, she is not like <sup>D</sup>that.
+
:: You have to understand,
−
: DOYU-<sup>A</sup>KURU. We <sup>G</sup>ask you not to be <sup>D</sup>violent.
+
:: we will not believe the reason.
−
:
+
:: As the reason for the darkness
−
: You <sup>A</sup>have to understand, we will <sup>G</sup>not believe the <sup>D</sup>reason.
+
:: lies beyond your place at this time.
−
: ... and your place at this time.
+
:: And although the brightest sunshine
−
: ... it would be the darkest treason.
+
:: would be nothing more than darkest treason.
−
: DOYU-<sup>A</sup>KURU. The <sup>G</sup>girl <sup>A</sup>is <sup>D</sup>mine.
+
:: どよくる! The girl is mine.
−
 
+
|
 
'''2.'''
 
'''2.'''
 
: Continue to their country.
 
: Continue to their country.
Line 63: Line 98:
 
: Sex before marriage, there you can have it.
 
: Sex before marriage, there you can have it.
 
: It's like a dream come true.
 
: It's like a dream come true.
−
:  
+
: But wait until December,
−
: ...
+
: the Darkest must be heard.
−
: ...
+
: What she said last time, I can't remember.  
−
: ...
+
: The segment must be prepared.
−
: We ask you not to be violent.
 
−
:
 
 
: You want to talk about it all
 
: You want to talk about it all
−
: but now it's too late for that
+
: but now it's too late for that.
−
: DOYUKURU. You segment, stop being violent.
+
: どよくる! You segment, stop being violent.
−
:
+
:: You have to understand ''etc.''
−
: You have to understand '''(etc.)'''
+
|}
−
 
 
−
----
 
−
 
 
−
is not
 
−
They are, I always know, I know better
 
−
 
 
−
DOYUDOYU, you are dividing is a far more divided DOYUKURU are
 
−
 
 
−
Continue to their country.
 
−
Getting there: very wild sex before marriage - in a cup.
 
−
But you are stupid, this is just the place for you
 
−
 
 
−
If you have free time, I go Only if he is just you.
 
−
and your place at this time - DOYUDOYU
 
−
Haelen and only for you, speak very lazy
 
  
−
DOYUDOYU, you are dividing is a far more divided DOYUKURU are
+
'''Lyrics:''' [[user:Nightcrawler|Nightcrawler]] (upstream), [[user:Aphyx|Aphyx]] und [[user:Sloyment|Sloyment]], <br />
 +
'''Composition:''' Sloyment
  
 +
'''Upstream version:''' [[Du Stück]]
  
 
{{CC0}}
 
{{CC0}}
 +
[[category:English language]]

Latest revision as of 07:23, 2 August 2024

This work is part of a band’s repertoire, namely band logo Chomolungmas Kleid.

tape recorder A recording of this work is available for download.
Gesang: Assurbanipal; Instrumente, Aufnahme: Sloyment
Film-Icon.png Music video available.

\version "2.8.7" << \chords { \transpose c es { s4 a1:m s e:m s g f c s a1:m s e:m s g f c s a:m s f c g f c s g1 s f c g s f c g1 s f c g f2 g2 c1 s } } \relative { \key es \major \time 4/4 \tempo 4=128 \partial 4 \transpose c es { c'4 a a b8 c'4 e'8 ~ e'8 a2 r8 c'4 b b b8 c'4 b8 ~ b2 r b8 b b d'4 b4. c'8 c' c' f'4 c' g8 c'4 c' c'8 d' e' d' ~ d' c'2 r8 c'4 a a b8 c'4 e'8 ~ e'8 a2 r8 c'4 b b b8 c'4 b8 ~ b2 r b8 b b d'4 b4. c'8 c' c' f'4 c' f'8 e' (d') c'4 c'8 c' c' d' ~ d' c'2 r8 c'4 e'4. e'8 e'8 f'4 g'8 ~ g' f' e'4. r8 e'4 f'4. c'8 c'8 a f' e' ~ e' e'2 r8 d'8 e' d' (c') b2 r8 b c'4 a c'8 d' e' d' ~ d' c'2. r8 r2. e'8 (f') g'4 g' g'8 a'4 g'8 ~ g'4. r8 a'4 g'4 f'4 f' f' g'8 f' ~ f' e'2 r8 e' f' g'4 g' g'8 g'4 a'8 ~ a' g'4 f' e'4. f'4 c' c'8 d' f' e' ~ e'2 r8 e' f'4 g'4 g' g'8 g'4 a'8 ~ a' g'4 a' ais'8 a' g' f'4 f' g'8 g'4 f'8 ~ f' e'2 r8 d' e' d' (c') b4. r8 b4 c'2 b c'2. r4 r2. } } \addlyrics { \set stanza = #"1. " This girl is not con -- sid -- ered. Look close -- ly, ve -- ry wild. Sex be -- fore marri -- age, and I don't have it. We ask you not to be vio -- lent. You should pre -- pare for Li -- sa the best shit in a cup. Speak now the la -- zy ver -- ses of ha -- zy pink dun -- geons. Hur -- ry and don't stop. This blows the co -- ver off the grass. And Li -- sa, she is not like that. ど よ く る! We ask you not to be vio -- lent. You have to un -- der -- stand, we will not be -- lieve the rea -- son. As the rea -- son for the dark -- ness lies bey -- ond your place at this time. And al -- though the bright -- est sun -- shine would be no -- thing more than dar -- kest trea -- son. ど よ く る! The girl is mine. } \addlyrics { \set stanza = #"2. "  %% Con -- ti -- nue to their coun -- try.  %% It's just the place for you.  %% Sex be -- fore mar -- riage, there you can have it.  %% It's like a dream co -- me true. __ \skip 2  %% But wait un -- til De -- cem -- ber,  %% the Dark -- est must be heard.  %% What she said last time, I can't re -- mem -- ber.  %% The seg -- ment must be pre -- pa -- red.  %% You want to talk a -- bout it all  %% but now it's too late for __ \skip 4 that.  %% DO -- YU -- KU -- RU! You seg -- ment, stop be -- ing vio -- lent. } >>

1.

This girl is not considered.
Look closely, very wild.
Sex before marriage, and I don't have it.
We ask you not to be violent.
You should prepare for Lisa
the best shit in a cup.
Speak now the lazy verses of hazy
pink dungeons. Hurry and don't stop.
This blows the cover off the grass.
And Lisa, she is not like that.
どよくる! We ask you not to be violent.
You have to understand,
we will not believe the reason.
As the reason for the darkness
lies beyond your place at this time.
And although the brightest sunshine
would be nothing more than darkest treason.
どよくる! The girl is mine.

2.

Continue to their country.
It's just the place for you.
Sex before marriage, there you can have it.
It's like a dream come true.
But wait until December,
the Darkest must be heard.
What she said last time, I can't remember.
The segment must be prepared.
You want to talk about it all
but now it's too late for that.
どよくる! You segment, stop being violent.
You have to understand etc.

Lyrics: Nightcrawler (upstream), Aphyx und Sloyment,
Composition: Sloyment

Upstream version: Du Stück

Cc.logo.circle.svg Cc-zero.svg This work has been released into the Public Domain using the CC0 protocol.
Retrieved from "http://freemusicwiki.org/w/index.php?title=You_Segment&oldid=6432"