Difference between revisions of "You Segment"

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Line 4: Line 4:
 
   \chords  
 
   \chords  
 
     { \transpose c es {
 
     { \transpose c es {
    %%  r4 a1:m r e:m r g f c r   
+
        r4 a1:m r e:m r g f c r   
    %%  a1:m r e:m r g f c r
+
        a1:m r e:m r g f c r
    %%  a:m r f c g f c r
+
        a:m r f c g f c r
 
         g1 r f c  g r f c   
 
         g1 r f c  g r f c   
 
         g1 r f c  g f2 g2 c1 r   
 
         g1 r f c  g f2 g2 c1 r   
Line 12: Line 12:
 
   \relative
 
   \relative
 
     { \key es \major \time 4/4 \tempo 4=128
 
     { \key es \major \time 4/4 \tempo 4=128
    %%  \partial 4  
+
      \partial 4  
 
       \transpose c es {  
 
       \transpose c es {  
    %%  c'4  a a b8 c'4 e'8 ~ e'8 a2 r8 c'4 b b b8 c'4 b8 ~ b2 r
+
        c'4  a a b8 c'4 e'8 ~ e'8 a2 r8 c'4 b b b8 c'4 b8 ~ b2 r
    %%  b8 b b d'4 b4.  c'8 c' c' f'4 c' g8
+
        b8 b b d'4 b4.  c'8 c' c' f'4 c' g8
    %%  c'4 c' c'8 d' e' d' ~ d' c'2 r8 c'4
+
        c'4 c' c'8 d' e' d' ~ d' c'2 r8 c'4
    %%  a a b8 c'4 e'8 ~ e'8 a2 r8 c'4 b b b8 c'4 b8 ~ b2 r
+
        a a b8 c'4 e'8 ~ e'8 a2 r8 c'4 b b b8 c'4 b8 ~ b2 r
    %%  b8 b b d'4 b4.  c'8 c' c' f'4 c' f'8
+
        b8 b b d'4 b4.  c'8 c' c' f'4 c' f'8
    %%  e' d' c'4 c'8 c' c' d' ~ d' c'2 r8 c'4
+
        e' d' c'4 c'8 c' c' d' ~ d' c'2 r8 c'4
    %%  e'4. e'8 e'8 f'4 g'8 ~ g' f' e'4. r8 e'4 f'4. c'8 c'8 a f' e' ~ e' e'2 r8 d'8 e'
+
        e'4. e'8 e'8 f'4 g'8 ~ g' f' e'4. r8 e'4 f'4. c'8 c'8 a f' e' ~ e' e'2 r8 d'8 e'
    %%  d' c' b2 r8 b  c'4 a c'8 d' e' d' ~ d' c'2. r8  r2. e'8 f'
+
        d' c' b2 r8 b  c'4 a c'8 d' e' d' ~ d' c'2. r8  r2. e'8 f'
         g'4 g' g'8 a4 g'8 ~ g'4. r8 a4 g'4
+
         g'4 g' g'8 a'4 g'8 ~ g'4. r8 a'4 g'4
 
         f'4 f' f' g'8 f' ~ f' e'2 r8 e' f'
 
         f'4 f' f' g'8 f' ~ f' e'2 r8 e' f'
         g'4 g' g'8 g'4 a8 ~ a g'4 f' e'4.
+
         g'4 g' g'8 g'4 a'8 ~ a' g'4 f' e'4.
 
         f'4 c' c'8 d' f' e' ~ e'2 r8 e' f'4
 
         f'4 c' c'8 d' f' e' ~ e'2 r8 e' f'4
         g4 g g8 g4 a8 ~ a g4 a a8 a g
+
         g'4 g' g'8 g'4 a'8 ~ a' g'4 a' ais'8 a' g'
         f4 f g8 g4 f8 ~ f e2 r8 d e
+
         f'4 f' g'8 g'4 f'8 ~ f' e'2 r8 d' e'
         d e b4. r8 b4  c2 b c2. r4  r2.
+
         d' c' b4. r8 b4  c'2 b c'2. r4  r2.
 
     } }
 
     } }
 
   \addlyrics  
 
   \addlyrics  
Line 39: Line 39:
  
 
'''1.'''
 
'''1.'''
: <sup>D</sup>This <sup>Bm</sup>girl is not considered.
+
: This girl is not considered.
: Look <sup>F#m</sup>closely, very wild.
+
: Look closely, very wild.
: <sup>A</sup>Sex before marriage, <sup>G</sup>and I don't have it.
+
: Sex before marriage, and I don't have it.
: We <sup>D</sup>ask you not to be violent.
+
: We ask you not to be violent.
 
:  
 
:  
 
: ...
 
: ...
 
: ...
 
: ...
 
: ...
 
: ...
: We <sup>D</sup>ask you not to be violent.
+
: We ask you not to be violent.
 
:
 
:
: This <sup>Bm</sup>blows the cover off the grass.  
+
: This blows the cover off the grass.  
: And <sup>G</sup>Lisa, she is not like <sup>D</sup>that.
+
: And Lisa, she is not like that.
: DOYU-<sup>A</sup>KURU. We <sup>G</sup>ask you not to be <sup>D</sup>violent.
+
: DOYU-KURU. We ask you not to be violent.
 
:
 
:
: You <sup>A</sup>have to understand, we will <sup>G</sup>not believe the <sup>D</sup>reason.
+
: You have to understand, we will not believe the reason.
 
: ... and your place at this time.
 
: ... and your place at this time.
 
: ... it would be the darkest treason.
 
: ... it would be the darkest treason.
: DOYU-<sup>A</sup>KURU. The <sup>G</sup>girl <sup>A</sup>is <sup>D</sup>mine.
+
: DOYU-KURU. The girl is mine.
  
 
'''2.'''
 
'''2.'''

Revision as of 22:10, 17 January 2010

<lilymidi> \version "2.8.7" <<

 \chords 
   { \transpose c es {
       r4 a1:m r e:m r g f c r   
       a1:m r e:m r g f c r
       a:m r f c g f c r
       g1 r f c   g r f c  
       g1 r f c   g f2 g2 c1 r  
   } }
 \relative
   { \key es \major \time 4/4 \tempo 4=128
     \partial 4 
     \transpose c es { 
       c'4   a a b8 c'4 e'8 ~ e'8 a2 r8 c'4 b b b8 c'4 b8 ~ b2 r
       b8 b b d'4 b4.   c'8 c' c' f'4 c' g8
       c'4 c' c'8 d' e' d' ~ d' c'2 r8 c'4
       a a b8 c'4 e'8 ~ e'8 a2 r8 c'4 b b b8 c'4 b8 ~ b2 r
       b8 b b d'4 b4.   c'8 c' c' f'4 c' f'8
       e' d' c'4 c'8 c' c' d' ~ d' c'2 r8 c'4
       e'4. e'8 e'8 f'4 g'8 ~ g' f' e'4. r8 e'4 f'4. c'8 c'8 a f' e' ~ e' e'2 r8 d'8 e'
       d' c' b2 r8 b   c'4 a c'8 d' e' d' ~ d' c'2. r8   r2. e'8 f'
       g'4 g' g'8 a'4 g'8 ~ g'4. r8 a'4 g'4
       f'4 f' f' g'8 f' ~ f' e'2 r8 e' f'
       g'4 g' g'8 g'4 a'8 ~ a' g'4 f' e'4.
       f'4 c' c'8 d' f' e' ~ e'2 r8 e' f'4
       g'4 g' g'8 g'4 a'8 ~ a' g'4 a' ais'8 a' g'
       f'4 f' g'8 g'4 f'8 ~ f' e'2 r8 d' e'
       d' c' b4. r8 b4   c'2 b c'2. r4   r2.
   } }
 \addlyrics 
   { 
   }

>> </lilymidi>


1.

This girl is not considered.
Look closely, very wild.
Sex before marriage, and I don't have it.
We ask you not to be violent.
...
...
...
We ask you not to be violent.
This blows the cover off the grass.
And Lisa, she is not like that.
DOYU-KURU. We ask you not to be violent.
You have to understand, we will not believe the reason.
... and your place at this time.
... it would be the darkest treason.
DOYU-KURU. The girl is mine.

2.

Continue to their country.
It's just the place for you.
Sex before marriage, there you can have it.
It's like a dream come true.
...
...
...
We ask you not to be violent.
You want to talk about it all
but now it's too late for that
DOYUKURU. You segment, stop being violent.
You have to understand (etc.)

is not They are, I always know, I know better

DOYUDOYU, you are dividing is a far more divided DOYUKURU are

Continue to their country. Getting there: very wild sex before marriage - in a cup. But you are stupid, this is just the place for you

If you have free time, I go Only if he is just you. and your place at this time - DOYUDOYU Haelen and only for you, speak very lazy

DOYUDOYU, you are dividing is a far more divided DOYUKURU are


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